Hals / Icelandic Five - Furnace Construction

As I had detailed in Wednesday's post 'Return to Iceland', Saturday May 26 will mark our return to the Hals / Icelandic series, based on excavations and insights from Kevin Smith.
Our smelts # 38 , # 39 in Fall of 2008 had tested the general work dynamic around the Hals style construction, plus use of a bellows plate and blow hole system. (This method does not use a tuyere, and has been researched and tested by Michael Nissen of Denmark.)

Field drawings of Icelandic Three & Four

 Because of too much going on and too little time (brain power!) this will be a fast overview - primarily in images.


Icelandic Five will serve two purposes:
1) To re-acquaint the team to the Icelandic system
2) Reduce the furnace wall thickness to 3 cm.

I cleared out the remnants of the 2008 furnace and built a new furnace yesterday (Thursday).
At the end of the last smelt, a plastic pail had been placed down the interior of the furnace. A metal cover was placed over the top. Normally liquid water seeps through the earth bank every spring. 

Remains of the 2008 furnace. The upper portions consisted of smaller pieces of sintered clay held in place by soft raw clay (on the earth side). The lower portions had little heat effects visible, and were still soft clay.

Portions of the lower part of the original solid clay walls. Roots have grown into the clay over the last three summers, actually helping to re-enforce the portions of the walls that remained.

The hole remaining in the earth bank after all the previous wall material had been removed

The first layer of the furnace wall. The metal rule is 3 cm wide, and was used as a gauge to set the rough thickness of the walls. Note how the shape is determined by the hole in the earth bank.

Finished construction, with old sand/ash packing fill. This will both help dry and stabilize the soft clay. The two boards placed against the front surface hold the exposed wall in place

Today (Friday) later in the day, I will remove the packing material. Then a small tap arch will be cut in the front. For this smelt the standard ceramic clay tuyere will be used, mounted above the taping arch. Extraction will be from the top.

Finally, a small wood splint drying fire will be started. The ideal would have been to have constructed the furnace much earlier, and allowed it to air dry for several days.

For smelt day tomorrow, roughly 20 kg of DD1 (red oxide bog ore analog) is already on hand. A small amount of previously prepared (crushed and sized) charcoal is on hand. The remainder required will have to be worked up while the furnace is pre-heating.

Stay tuned!

Forging 'the custard'

Edited from my ongoing on  Don Fogg's Bladesmithing Forum

Darrel so when you say 'weld in all the edges'... do you mean basically turning it on it's side and hammering down all the little bits at welding heat?   I'm assuming this is easier with lower carbon steel and iron.  On my very high carbon stuff.. those little bits just fall off.  

Scott

I would most certainly *not* hold my working methods up as the ideal!

That being said, I'm just coming off a two month research / learning project called 'Bloom to Bar'. So for while there all I was doing in the shop was working up some of my big pile of blooms (!)
So, that being said, take a look at :
'A Typical Work Session' (on Bloom 2 Bar)

Jesus Hernandez also has a good visual tutorial over on his web site.


I have also seen on this forum some good advice given by Lee Sauder on this same topic.

Blooms have a structure that Lee describes as 'like a custard' - think of a lemon meringue, turned upside down.
The centre is a hard 'nut' of iron, often quite dense, with a spongy layer, often with a lot of air spaces and more slag included around the outside. As you might guess, a larger bloom might be cut apart, so more like a wedge of pie than the whole thing like you see on a small bloom.

(There is a variation in carbon content within a single bloom as well. Lets just leave that one. If anything, this carbon variation exaggerates the effects.)

Of course, the two different densities of metal move at different rates. That's one reason a press, squeezing in one direction does work more effectively than hand tools. The raw size of the mass also works against anyone attempting this process working alone. With excellent skill and co-ordination between a master hand and striker, of course the compaction process can be carried out by hand. (Watch Lee and Mike McCarthy work some time!)

So your first step is just pressing downwards at welding heat, collapsing the air spaces of the outside 'meringue' and forcing them on to the hard nut in the centre.
This does help on the edges however, which remain ragged. I have had some luck placing the then flat disk on its edge and pressing in / down. Its a tall thin shape, with soft edges, so the press tends to slide it sideways and I certainly find that process hard to control. Also the press works in a flat plane, and most often the bloom disk is round or oval.

Taken together, I had found it just as effective to hand hammer the edges in. I would place the disk flat on the anvil, then lean way over so I can fire blows almost dead horizontal from the far side of the anvil back towards the disk and my tong hand. This also allows you to both heat and forge on section of the bloom disk at a time.

Clear as mud?

Return to Iceland - Iron Smelt

Sorry for the extremely short notice here. (Life, the Universe, you know...)

Iron Smelt at Wareham
Saturday May 26
Return to Iceland

Directions - http://www.warehamforge.ca/directions
(that's roughly 2 1/2 hours NW of Toronto, 45 minutes N of Orangeville, just off highway 10)

In 2007, the DARC team had started working on developing a working system based on the archaeology by Kevin Smith at Hals in Iceland :
http://www.warehamforge.ca/ironsmelting/HALS/index.html
We got side tracked from the Hals / Icelandic series when we concentrated on the LAM / Vinland series, then preparing for CanIRON 8.
We had run four experiments in the Iceland series, testing use of stone slabs, general work arrangements, use of the bellows plate and blow hole system.

Theoretical Hals working layout

The next point in the series would be to construct another earth fast furnace, but this time with thin (3 cm) clay walls. It will use a ceramic insert tuyere, we have enough DD1 bog ore analog prepared for a smaller sized smelt.

I also want to use the smelting bellows for enough time to at least get 'in line' air volumes recorded. Bulk of the smelt will be with the electric blower (!)

I'm a bit pressed for time this week, but will attempt to get the furnace constructed over the next two days. There may be a bit more discussion before starting the pre-heat cycle than normal

Schedule:
8 A : start equipment set up
9 - 10 A : start pre-heat
11 A : estimated start for main sequence
11 - 11:30 A : bellows volume tests
12 N : estimated first ore addition
3:30 - 4 P : estimated start for extraction
4:30 - 5 P : estimated consolidation
5:30 P : pack down

For those new to Wareham:
1) Bring a lunch if you plan a day of it (its a 15 minute drive to the nearest town)
2) Park along the north side road (less traffic, they just laid fresh gravel here!)

There is always some dirty work to help with! Those wanting to get directly involved should dress for work, I will have extra safety glasses on hand.

Hope some of you will be able to make it up

Darrell

Papers, Publishing & Research Sources

(modified from Bloom 2 Bars)

I'm just back from delivering an academic paper to be delivered at the International Congress on Medieval Studies at Kalamazoo Michigan. The conference ran from May 9 - 13, with my specific paper to be presented Thursday May 10.

I've referenced the paper itself in an earlier postings. I had given a first draft version at Forward Into the Past at Laurier University on March 31. Obviously I consider the various public presentations of both research and practical method, plus ongoing communications like blog postings an esencial part of the entire Bloom to Bar project.

The revised text of my paper 'An Iron Smelt in Vinland' will be eventually be published. Session organizers Ken Mondschein and Michael Cramer are working with Freelance Academy Press to collect a number of papers from the past 'If Those Bones Could Talk' sessions into a volume. 

Not to get too (!) side tracked, what I wanted to detail here was some other excellent reference sources for those seriously interested in bloomery iron smelting.


Method :

A Practical Treatise on the Smelting and Smithing of Bloomery Iron
Lee Sauder & Skip Williams

Historical Metallurgy, vol. 36 (2). 2002
A version will be available by hunting around on Lee's Iron Smelting site

 
If You Don't Get any IRON...
Darrell Markewitz
EXARC. vol. 2012-1
Available on line (with subscription)

Experimental Iron Smelting at the Wareham Forge
Darrell Markewitz
Available on line
 


References :

Iron in Archaeology - The European Bloomery Smelters
Radomir Pleiner
80-86124-26-6
David Brown Books in the US is currently (Mid May, 2012) contacting the original publisher to see if they can acquire some copies of this volume. They are also attempting to get some of Pleiner's 'Iron in Archaeology, Early European Blacksmiths / 808612462-2'


Prehistoric & Medieval Direct Iron Smelting in Scandinavia and Europe 
Lars Christian Norbach
13 9788772887746
Available from ISD Distributing
The book costs $60 plus shipping

Iron and Steel in Ancient Times
Vagn F. Buchwald
8773043087
Available from the Danish Royal Academy
The book costs 60, 56 Euros plus 21,4 Euros (to Canada).
Contact Katrine Hassenkam Zoref